From March 20 to 23, Anna Chiara Cimoli (Politecnico di Milano) visited two important German migration museums: the Deutsches Auswanderer Haus in Bremerhaven and BallinStadt in Hamburg. Both milestones in the –however recent- history of migration museums, the first one in particular considered a possible “model” for its peculiar layout choices and its historical discourse, they raise questions about the recourse to theatre techniques in museums (the “architect as director”), the proposal of the migrant’s journey as a sensible experience, and the universal value of the identification with real biographies.
The German Emigration Center, Bremerhaven
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